Skinny Lister / Beans on Toast @ Norwich Waterfront - November 30, 2017

This show was part of the Double Trouble Tour: Beans on Toast and then Skinny Lister. Beans on Toast served up a big chunk of his almost stream-of-consciousness rap/sung folk songs. I get the feeling he is extremely prolific and just dumps his stuff on the audience. I couldn't help feeling that he might instead slow down and more carefully craft what he does, but maybe I'm missing the point of his output. It was certainly entertaining though, and he is engaging and fun, as he veers between the political and the personal. He had 4 musicians backing him up, which I understand isn't normal for him. I enjoyed his introduction of the violin player: she used to play with Lord of the Dance but quit when they wouldn't let her skip their performance for Donald Trump. Many cheers for that story.

Skinny Lister is a new discovery for me. They are about to release their fourth album (springtime?) and tour unrelentingly. It shows. Their set is tight and crazy fun. All the band members are natural entertainers and provide a great night of jumping around and singing along. But I have to single out the indefatigable Lorna Thomas, singer and whirling ball of energy. She is flanked by her husband on guitar and sharing singing duties, and her brother, on accordian, who along with the rest of the band all have spotlight moments that richochet between band members. They share their energy and essence, and delight the crowd as one cohesive, and churning engine delivering (what they call) Shanty Punk. I'd love to see them live again, and will wait impatiently for the next album.

Setlist:
Tragedy in A Minor
Christmas Calls
Cathy
My Life, My Architecture
Geordie Lad
The Devil in Me
John Kanaka
Rollin' Over
Trouble on Oxford Street
Bonny Away
Wanted
This is War
Hamburg Drunk
Encore:
Beat It From the Chest
This Christmas (with Beans on Toast)

-Setlist is approximate. They might have played Thing Like That and George's Glass among others.

Sleaford Mods @ UEA, Norwich - November 8, 2017

Janey turned me onto TCR about a year ago and I was immediately hooked. I don't get crazy excited about many bands these days, but I am so impressed and obsessed with Sleaford Mods. They are proof music can still deeply effect me. It seems fitting that the duo are about my age, and so was a large part of the crowd at tonight's show. But this isn't sad old people music. This is punk and vibrant and angry as fuck. Even if Jason Williamson denies being punk; this is the very definition in 2017.

Openers Nachthexen are a female quartet with a keyboard replacing the guitar in the usual expected line-up. They don't have a full album released yet, just a couple of EPs (if that's what they're still called). Their sound is very reminiscent of X-Ray Spex, particularly the female screamy lyrics. I'm sure their sound will grow and diversify before much longer, but what they have right now is still pretty good and appealing. All four have a disinterested stage presence; too cool or too focused on their instruments to do much else.

Jason Williamson has the polar opposite of a disinterested stage presence! He is mesmerizing to watch. His physicality is irrepressible, full of posturing, twitching, and tics and marching around with the mic stand. The lighting set up and plain backdrop silhouettes clouds of dispersing spit as he raps his vitriolic lyrics. Andrew Fearn, the music producer as it were, seemed to be loving the night, frequently grinning as he vigourously bops his head along to the beats he's created.

The setlist is very English Tapas heavy. My pre-show research showed that they don't vary the setlist, so I knew not to expect some of my favourite tracks from their earlier albums. But, as this is my first time seeing them, I didn't mind at all. It helps that I love just about everything they do. Out of the 15 songs pre-encore, the SMs played 11 of the 12 tracks on their recent album. We got TCR mid-set which fired everyone up, and then an absolute cracker of an encore, which a group of young men couldn't resist, rushing down front to start up a moshpit. Perfect.

As fits the age of the band and the crowd, the volume wasn't deafening and the sound was incredibly clean and clear. The only tiny downside was the lights on the crowd that messed with taking a decent photo, but I did my best. Next time they play nearby, I'm going! With their current output of new material, it shouldn't be long before they're on the road with a new batch of songs. Top!

Setlist:
I Feel So Wrong
Army Nights
Just Like We Do
Snout
Moptop
Dull
Carlton Touts
I Can Tell
TCR
Time Sands
Routine Dean
Jolly Fucker
Drayton Manored
Cuddly
BHS
Encore:
Jobseeker
Tied Up in Nottz
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Air Traffic @ Islington Assembly Hall, London - October 9, 2017

Air Traffic have been performing a handful of gigs to celebrate their only album, Fractured Life's 10th anniversary. This is an added-on date due to the first shows selling out quickly.

I discovered Air Traffic shortly after their 1st album was released in 2007 when I was loving all the British new wave of post punk revival bands and the like at this time. 2008 was a packed concert year for me and seeing Air Traffic open for Elbow in an Anglican Church in Vancouver was one of that year's sweeter musical moments. I vividly remember the opening duo of drums that begins No More Running Away acoustically filling the church. It was uplifting and almost spiritual. Just beautiful.

The other memory is the hard pew Steve and I had to endure, and how the mellowness of Elbow had set Steve nodding off before the end of their set. Still, it was a uniquely lovely show in a unique venue. Air Traffic remain one of only two bands I've gone to see specifically when they are still opening acts. Elbow was just bonus.

When I stumbled across this gig it was pure luck. We had been listening to some of their songs that are favourites and I happened to look them up to see if they had done anything lately. Such great timing. Steve was actually happy to go with me. I couldn't quite believe it but he was singing along towards the end. That was fun to experience.

I predicted that the audience would be mellow, but I've been surprised before. This time, however, I was spot on. The crowd was exactly what you'd expect: late 20s, 30-something mainly; many in couples, and not a mosher in sight. This fit perfectly with the singer's banter about getting older. He finished Take Your Hands Off Me by saying "God knows what we were so angry about." The crowd could clearly identify. They laughed when he introduced This Old Town as Bournemouth, and told us it's the town  they're from, were desperate to get out of, and all now live once again.

Chris Wall and the rest of the band were clearly enjoying themselves and he continued the audience interaction with charm. By the end of the set and in the encore we had three big singalongs to Your Fractured Life, No More Running Away and Shooting Star. In fact, when the set ended and the crowd kept up the "No More Running Aways", Wall did a cartoonish slow-motion running escape from the stage and the whole band was brought back as we all kept up the chant. I wondered if this had happened every night, but checked out some videos of other nights and suspect this may have been original. It would be a fitting piece of appreciation on Air Traffic's last night of this particular group of reunion shows.

The sound was great. Not too loud and no ringing ears today. They performed tightly and with energy and joy and it was an enjoyable concert. The penultimate song was introduced with the information it is a newly written track that has just been released as a single and humourously that "Album 2 is riding on it. No pressure." I like it and would be really pleased for more material and to see them get back to doing something they obviously love. Wall thanked a host of people, but particularly the band, singling out their drummer, David Ryan Jordan, as the real impetus behind the reunion. Cheers David!


Setlist:
Just Abuse Me
Never Even Told Me Her Name
Time Goes By
Can't Go Back
Come On
Empty Space
I Can't Understand
This Old Town
Charlotte
I Like That
Take Your Hands Off Me
Get In Line
An End To All Our Problems
Your Fractured Life
No More Running Away
Encore:
The Running Caught Me High
Almost Human
Shooting Star